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24 Dec 2017

MAYAANADHI- the bold and beautiful river (an outlook) - By Rahul Sharma

As the title says, MAYAANADHI- is nothing but a raw magical journey through that magical river of romance; which is pristine, crystal-clear, yet with an abstract course of flow. So glad to say that Aashiq Abu has succeeded in bringing the best out of him through Mayaanadhi. Shyam Pushkaran and Dileesh Nair has once again proved their legacy through such a brilliant multilayered script. This would be one of the most promising and sincere love stories to appear in Malayalam in recent times and is supposed to stay as 'a pro-time classic' for pretty long time within the hearts of the audience. The film slaps on the face of all those 'so called' norms of 'fake moralities' in the society- say in a prudent manner and grabs its position with a backbone through its sincere way of storytelling sans gimmicks. It openly speaks about various strata in a man-woman relationship.

The story revolves around two characters - Mathew/Mathen (Tovino Thomas) and Aparna/Appu (Aishwarya Lekshmi) which itself is the highlight of the film because, the story just 'revolves' around the characters without getting 'into' them. Usually, while playing with romantic stuffs, scriptwriters often give catchy dialogues to their characters to render, thereby injecting their emotional status (spoon-feeding) into the minds of the audience. Unlike this usual scenario, here the scriptwriters Shyam Pushkaran and Dileesh Nair and the director Aashiq Abu have tried to reduce the emotional verbose, thereby allowing the actors to perform and behave maximum in a natural way, staying within the script. Undoubtedly, this has become one of the career best performances of Tovino, say in a character role which of course is the protagonist indeed. One cannot find a single trait of 'Tovino' in 'Mathan' which makes him one of the most bankable actors from the south. Same applies with the lead actress Aishwarya too. It is hard to believe that this is her second film. Aishwarya  has marked the character 'Aparna' with a stellar performance, which is almost irreplaceable. The characters 'Mathen' and 'Appu' were absolutely safe within the hands of Tovino and Aishwarya respectively. The duos had lived on screen even with perfect micro expressions bound to the script and we are so graceful to watch  such emerging lead artists performing on screen.

Music by Rex Vijayan was so synchronized with the pace of the film which did never appear as a mere filler. It did hit the marquee with the ethereal voice of Shahabaz Aman, which was mind pulling. Songs 'Kaattil..' and "Thoni niranju... pranan kavinju...." will never leave the ears of the audience even after they leave the theaters. Costumes by Sameera Sanish deserves a well applause for making the film colorful without loosing its true sense. Cinematographer Jayesh Mohan has done a good job in capturing the 'most wanted' moments with proper sense and last but not least, editor Saiju Sreedharan deserves an applause for making such a multi-layered romance flick interesting and engaging with prompt and proper cuts.

In fact, Mayaanadhi is a brave and stand out attempt from a vibrant and voracious crew under Aashiq Abu. He has once again emphasized his position as one of the most talented directors from the south. Now, the audience are to go with the flow of the river and engross the feel in its true sense. If Mayaanadhi gets a warm welcome, then that would certainly mark a new beginning of live and sincere attempts from more and more writers, directors and actors out there in the industry. Ashiq Abu has proved it before with his second movie- 'Salt and pepper' and now the flow has taken a new course and let this be a stand out deed.

Hats off- Team MAYAANADHI , for giving a promising and sincere watch.

#Wish_you_all_a_Merry_Christmas_and_a_Happy_New_Year
-By Rahul Sharma